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by Moses Zibor & Saulet Zhanibek
The "Sons of the Shaman" exhibition at LM KULANSHI ART SPACE is more than just an artistic event—it is a transcendent journey where the energy of ancient rituals merges with a contemporary interpretation of mysticism. The works of two outstanding artists—Moses Zibor from Nigeria and Saulet Zhanibek from Kazakhstan—form a dialogue between cultures, united by their shared quest for spiritual roots.
Moses Zibor’s Works: African Mysticism and Dreamscapes
Moses Zibor transports the viewer into the world of African shamanic practices, where the boundaries between reality and dreams dissolve. His paintings evoke the ritual masks and sacred patterns used for communicating with spirits. Zibor’s work is infused with the energy and mythology of his Nigerian and Ghanaian heritage.
His paintings, the songs he writes and performs, and his extrasensory abilities reach out to spirits—protective, guiding, or forewarning. Through the interplay of light and shadow, the artist creates an immersive effect, drawing the viewer into a mysterious ritual. Zibor employs rich, saturated tones that evoke an atmosphere of mysticism and ritualistic trance. His compositions convey a sense of sacred action, where the viewer becomes an involuntary participant.
Moses Zibor’s presence in this exhibition showcases the power of cross-cultural exchange. His work offers the Kazakhstani audience a fresh perspective on contemporary art, blending elements of traditional culture with a bold avant-garde approach.
Saulet Zhanibek’s Works: The Legacy of Nomads and Sacred Symbols
Saulet Zhanibek’s paintings pulse with the energy of the Great Steppe. He incorporates natural textures, both abstract and concrete forms, and symbols reminiscent of the ancient nomadic ornaments. His works transport the viewer into a shamanic realm, where each image serves as a conduit between the material and spiritual worlds. At the core of his art lies the memory of nomadic culture, preserved within the genetic fabric of the artist’s consciousness.
His abstract imagery evokes ancient rituals and sacrificial ceremonies, where the shaman once acted as a mediator between the heavens and the earth. Every line and color in his compositions carries the presence of the Spirits of the Steppe. The use of localized color accents and dynamic forms symbolizes the movement of energy and the cyclical nature of life. In his paintings, absolute black and absolute white begin to resonate and emanate energy. The forms and narratives in Zhanibek’s work reflect the sentiment once expressed by Shokan Ualikhanov—they astonish. They provoke thought, stirring reflections on purity, depth, pain, joy, and the deep interconnection between human emotions and the world we have built around ourselves. But ultimately, they remind us that we have a choice. Zhanibek captures the mystical essence of ancient rites, revealing their ties to protection, transformation, and the spiritual beliefs of his ancestors.
“Sons of the Shaman” invites viewers to immerse themselves in a unique experience where the cultural heritage of two continents intertwines into a single mystical thread. This exhibition offers a deeper understanding of how rituals, symbols, and ancestral energy continue to resonate within contemporary art.
The works of Zhanibek and Zibor inspire a rethinking of traditional art and the search for new forms of expression. They demonstrate that culture and spirituality are universal values that unite humanity. For each viewer, the exhibition becomes not only an aesthetic experience but also a personal spiritual journey, awakening questions about origins, the connection to nature, and humanity’s place in the world.
The exhibition supports a revival of interest in ancestral roots and spirituality, fostering the development of an artistic language grounded in cultural codes. Zibor’s works highlight the potential of cross-cultural exchange, opening new perspectives for Kazakhstani artists and audiences. This project will serve as an important stimulus for young artists to explore mystical and spiritual themes, adapting them to contemporary realities.
“Sons of the Shaman” is more than just an exhibition—it is a mystical journey that allows the viewer to connect with the profound energy of the ancestors and discover new horizons in art. This project is crucial for the evolution of art in Kazakhstan, as it strengthens cultural ties, popularizes mystical themes, and inspires the creation of a new visual language.
MOSES ZIBOR (b.1978) is a Nigerian-Ghanaian multi-disciplined artist who lives and works in his studio in Almaty, Kazakhstan.

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